I sometimes wonder what the best or fastest way to acquire a universal style is, if one does so especially by studying the games of world class players.
I see an advantage to studying x number of such strong players, each with a clear style that is not very universal (this is pretty much the approach I used long ago). In fact, such players may often not be modern strong players. The latter may well tend to be more universal types of players, and very eclectic (and thus more mysterious), in that they studied any number of players past and present while becoming strong and forming their styles. With the old masters or less recent world champions, you could often see a strongly defined style, and where these players' thinking was coming from.
In studying a modern universal world class player, on the other hand, one has a ready model to emulate, complete with an up to date repertoire and fresh games to study. This may be ideal for trying to quickly acquire a universal style, if one can come close to understanding such a player's thinking. In such a case though, it may be all but necessary that the player often writes about his own games and his own way of studying and preparing, if the person studying the modern world class player is not at least master level strength.
Perhaps people have their own thoughts on this topic. Not being young, I never learned from a coach's thoughts on this or other matters.
I see an advantage to studying x number of such strong players, each with a clear style that is not very universal (this is pretty much the approach I used long ago). In fact, such players may often not be modern strong players. The latter may well tend to be more universal types of players, and very eclectic (and thus more mysterious), in that they studied any number of players past and present while becoming strong and forming their styles. With the old masters or less recent world champions, you could often see a strongly defined style, and where these players' thinking was coming from.
In studying a modern universal world class player, on the other hand, one has a ready model to emulate, complete with an up to date repertoire and fresh games to study. This may be ideal for trying to quickly acquire a universal style, if one can come close to understanding such a player's thinking. In such a case though, it may be all but necessary that the player often writes about his own games and his own way of studying and preparing, if the person studying the modern world class player is not at least master level strength.
Perhaps people have their own thoughts on this topic. Not being young, I never learned from a coach's thoughts on this or other matters.
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