If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
Policy / Politique
The fee for tournament organizers advertising on ChessTalk is $20/event or $100/yearly unlimited for the year.
Les frais d'inscription des organisateurs de tournoi sur ChessTalk sont de 20 $/événement ou de 100 $/année illimitée.
You can etransfer to Henry Lam at chesstalkforum at gmail dot com
Transfér à Henry Lam à chesstalkforum@gmail.com
Dark Knight / Le Chevalier Noir
General Guidelines
---- Nous avons besoin d'un traduction français!
Some Basics
1. Under Board "Frequently Asked Questions" (FAQs) there are 3 sections dealing with General Forum Usage, User Profile Features, and Reading and Posting Messages. These deal with everything from Avatars to Your Notifications. Most general technical questions are covered there. Here is a link to the FAQs. https://forum.chesstalk.com/help
2. Consider using the SEARCH button if you are looking for information. You may find your question has already been answered in a previous thread.
3. If you've looked for an answer to a question, and not found one, then you should consider asking your question in a new thread. For example, there have already been questions and discussion regarding: how to do chess diagrams (FENs); crosstables that line up properly; and the numerous little “glitches” that every new site will have.
4. Read pinned or sticky threads, like this one, if they look important. This applies especially to newcomers.
5. Read the thread you're posting in before you post. There are a variety of ways to look at a thread. These are covered under “Display Modes”.
6. Thread titles: please provide some details in your thread title. This is useful for a number of reasons. It helps ChessTalk members to quickly skim the threads. It prevents duplication of threads. And so on.
7. Unnecessary thread proliferation (e.g., deliberately creating a new thread that duplicates existing discussion) is discouraged. Look to see if a thread on your topic may have already been started and, if so, consider adding your contribution to the pre-existing thread. However, starting new threads to explore side-issues that are not relevant to the original subject is strongly encouraged. A single thread on the Canadian Open, with hundreds of posts on multiple sub-topics, is no better than a dozen threads on the Open covering only a few topics. Use your good judgment when starting a new thread.
8. If and/or when sub-forums are created, please make sure to create threads in the proper place.
Debate
9. Give an opinion and back it up with a reason. Throwaway comments such as "Game X pwnz because my friend and I think so!" could be considered pointless at best, and inflammatory at worst.
10. Try to give your own opinions, not simply those copied and pasted from reviews or opinions of your friends.
Unacceptable behavior and warnings
11. In registering here at ChessTalk please note that the same or similar rules apply here as applied at the previous Boardhost message board. In particular, the following content is not permitted to appear in any messages:
* Racism
* Hatred
* Harassment
* Adult content
* Obscene material
* Nudity or pornography
* Material that infringes intellectual property or other proprietary rights of any party
* Material the posting of which is tortious or violates a contractual or fiduciary obligation you or we owe to another party
* Piracy, hacking, viruses, worms, or warez
* Spam
* Any illegal content
* unapproved Commercial banner advertisements or revenue-generating links
* Any link to or any images from a site containing any material outlined in these restrictions
* Any material deemed offensive or inappropriate by the Board staff
12. Users are welcome to challenge other points of view and opinions, but should do so respectfully. Personal attacks on others will not be tolerated. Posts and threads with unacceptable content can be closed or deleted altogether. Furthermore, a range of sanctions are possible - from a simple warning to a temporary or even a permanent banning from ChessTalk.
Helping to Moderate
13. 'Report' links (an exclamation mark inside a triangle) can be found in many places throughout the board. These links allow users to alert the board staff to anything which is offensive, objectionable or illegal. Please consider using this feature if the need arises.
Advice for free
14. You should exercise the same caution with Private Messages as you would with any public posting.
This sort of analysis is beyond me, but I do love jazz, ...
Me too, ha!
Even tho I stopped learning piano somewhere around grade 5 with the Royal Conservatory of Music wayyy back as a child early teen!!!
What I look for in all forms of music but especially Classical and Jazz is their structures and their tonal colors. I'm always delighted to find someone who knows how to break all that theory stuff down to digestible chucks.
Here's our very own Glenn Gould clearly talking about Beethoven structural nature(s) ...
Along with Miles I place John Coltrane as the other of my two favourite jazz players. There is a lot of music with them playing together, Miles generally wanting a tenor saxophone in his quintet. I had the divine pleasure of attending two Miles Davis concerts in Toronto in the early 1980s. Once at what was then the O'Keefe Centre, once at Roy Thomson Hall. The first show, at the O'Keefe, was the best since the acoustics at Roy Thomson Hall totally sucked. The O'Keefe show was one of the first Miles did after taking his hiatus of five years when he did not even touch his horn. He simply kept it on display on a cushion and had his cleaning lady keep it dusted and shiny. Miles took vast numbers of very short footsteps and was hunched over almost all of the time, as if he was struggling to walk. He had no trouble playing however, it was totally incredible to experience this great genius in person.
The acoustics may have improved since then. The problem is/was twofold. First, the theatre is round, which is the worst possible shape for good acoustics. Second, the walls above the seats opposite the stage were simply cement, rather than wood or some softer material. When the band played loud the sound was a high-pitched, jumbled mess. The Toronto Symphony Orchestra had their conductor/music director, Jukka-Pekka Saraste, if memory serves, quit back in those days due to the hopeless sound, and wanted the concerts moved to Massey Hall, which does have nice acoustics.
Me? The amazing soulful grooves of Liam Gallagher and some insane throwback tracks from Oasis ...
<snip>
Other than that ... Beethoven ... and some other freaks too, ha!
.
Beethoven. I used to think that the fact that he wrote at least the 9th symphony after he went stone deaf, as something unique, that he had some special gift that allowed him to "hear" in his head. But in my '60s I think it is maybe nothing special. I say this because after 50+ years of being deep in music, when I am sing a song in my head, I can "hear it" and know that I will be on when I sing it out loud.
Being deaf makes no difference as long as there was a time when one did hear. When Beethoven, or anyone, composes symphonies, they do not have all of the musicians with them at the time, they are doing it all in their head, or possibly with the help of a piano. I have all my life created music in my head. Sometimes it is orchestras, sometimes it is heavy metal, sometimes it is Duane Allman playing with Jimi Hendrix, something that never happened in real life. I do not think that this is very much different from playing chess blindfolded, it takes imagination which can be improved with practice.
Being deaf makes no difference as long as there was a time when one did hear. When Beethoven, or anyone, composes symphonies, they do not have all of the musicians with them at the time, they are doing it all in their head, or possibly with the help of a piano. I have all my life created music in my head. Sometimes it is orchestras, sometimes it is heavy metal, sometimes it is Duane Allman playing with Jimi Hendrix, something that never happened in real life. I do not think that this is very much different from playing chess blindfolded, it takes imagination which can be improved with practice.
Very good, thank you. I figured there must be a reason why you seem to be the only one who has seen Roy Buchanan play. :)
So you can combine Duane Allman and Jimi Hendrix in your head? That's interesting, Do they just jam in their own styles, or is there solos of theirs that you combine somehow.
As for comparing that to blindfold, well maybe if you learned the game that way? What say you to that?
Last edited by Fred Henderson; Sunday, 23rd April, 2023, 02:01 PM.
I tend to imagine each playing in their own styles, but new solos that I invent as I move the music along. I do the same with Miles Davis, John Coltrane and others. I used to imagine a form of classical music, and then one day under the influence of Frank Zappa I picked up the works of Edgard Varese and was astonished by the similarity it exhibits to what I imagined. VARESE: Tuning Up / CYSO's Symphony Orchestra · Tinkham - YouTube
Here is a good Canuck absolutely ass-kicking a tune the Allman Brothers made famous: Statesboro Blues - YouTube
This sort of analysis is beyond me, but I do love jazz, probably more than any other musical form. I was born and raised on it due to my parents who both totally loved jazz music and played it all the time. Of the jazz piano players, there are many greats. Perhaps the most elite of them all is the Canadian from Montreal, Oscar Peterson. Then there is the enlightened genius, Thelonious Sphere Monk, and the completely brilliant Keith Jarrett. Other greats include Bill Evans, Art Tatum, McCoy Tyner and many more. I am not so much interested in solo playing, I prefer a trio with a bassist and a drummer along with the piano.
LOL. Yah. So many people jump on the Hendrix bandwagon and say flat out greatest of all time blah blah blah. I say give him a proper left-handed strat and his exalted stature diminishes a little
LOL. Yah. So many people jump on the Hendrix bandwagon and say flat out greatest of all time blah blah blah. I say give him a proper left-handed strat and his exalted stature diminishes a little
I do love Jimi, but of course saying "the greatest" is a bit silly when it comes to artistic appraisals. It comes down to favourites, and those that do not turn one's crank. My favourties are certainly Duane Allman first and Jimi Hendrix second. After these two I love SRV, Zappa, Johnny Winter, Roy Buchanan, Dimebag, John McLaughlin, Allen Collins. Larry Coryell... Guys like Page and Clapton can play, but I never liked Van Halen or DiMeola, they both have fast gymnastic fingers, but it does not sound very musical to me, the emphasis is on speed only. The greatest players often play the fewest notes, both Duane Allman and trumpeter Miles Davis are perfect examples of this.
I could not agree more. A true national treasure. Canadian Railroad Trilogy and The Wreck of the Edmond Fitzgerald should be required reading (listening) in every Canadian classroom. Thank you Gordon. RIP
Comment