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I remember visiting the Dutton Chess Club in the late 90's on Bayview Ave. (many memories) One day I came in to find several players crowded around a board in an alcove. Mike McArthur was there and he was as animated as I ever had seen him. He was discussing problem positions with Steve Galen and in some variations the fingers were dancing and pieces flying, but usually it was a lot of finger pointing and excited talk about a certain position. Mike looked up and saw me and said looking at a table with two other boards and pieces set up : "There's some problems to solve, maybe you can polish them up a bit." I remember going over to one position and it absolutely stumped me and about half an hour went by. A couple of times I looked up and caught Mike grinning at me. Finally I had a glimmer and I had stumbled on the solution. Man that was hard. That was my introduction to Steve Galen's problems. Of course, I knew Steve as the tournament player Steve Laughlin, about 2100, who was a regular at the Dutton Club.
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I bought one of Steve's puzzle books from him (I think it was the first one he'd got published).....also knew him from tournament play as Steve Laughlin.
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The next story involves the inimitable Tony Miles. Reykjavik 1986 was my first international tournament outside of Canada. It was an unexpected invite, a dream come true, and I had a sense when I was there that magical things would happen. And they did in their own way many times over. One of the evenings after a long game I went to the hotel bar to have a drink and relax. The bar was quiet when I entered, there was only me and the bartender, and as luck would have it Tony Miles. Seizing the opportunity I went over and introduced myself as a new player from Canada and asked him if I could buy him a drink and I also asked him if he had tried the national drink of Iceland, Black Death. I could tell Tony was intrigued. Black Death was liquor made from fermented caraway seeds and more importantly for me was cheap at a dollar a shot. That one drink started a full evening of storytelling. All I had to do was listen, buy the drinks and ask the occasional leading question.
It was one story after another and before I knew it we were closing the bar down and had talked for five hours. So how does this relate to the thread the Beauty of Problems? Well great tacticians are often great swindlers and if you play enough tournament chess you have your great swindling moments. I put the question to Tony and it started him off on his swindles. I had forgotten that part of the conversation but when I looked in the book Blunders and Brilliancies I recalled from the diagram of Bouaziz - Miles, Riga 1979 Tony's own account of the description of the game. He was horribly lost. Bouaziz had a huge passed pawn on C6 and was up an exchange to boot. Tony based his last chance on Rh1 as the white king was a bit open. Bouaziz could have sealed Tony's fate with Rd8 but he figured all he needed to do was push his passed pawn and so he did. The book labels the game The Great Escape and so it is. I will leave the reader to figure out how Tony Miles did it. Also I found another Miles "swindle" in the book which I will post. However this one was more the result of precise calculation and shows the resources available in positions. Both diagrams are posted in Beauty of Problems. The first is Tony's Great Escape.Last edited by Hans Jung; Tuesday, 26th March, 2024, 02:51 PM.Comment
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I made a joyous discovery today and I feel a need to share. I humbly admit that I don't know much about problem solving and I am at best a beginning problem composer. Today I dsicovered Smyslov's beautiful compositions and the one I posted on the Beauty of Problems gave me such intense problem solving joy that the joy will probably last me a week. Now that is one big discovery, that not just composing at my own level generates such passion but that actually solving Smyslov, the creme de la creme, can lead to such joy. The other discovery is that Smyslov at the end of his tournament playing career was making such wonderful problem compositions. The one I posted was created by Smyslov at eighty! - in grand old age. That means that he was experiencing the exquisite, passionate joy of creating sensational problems to the end of his life at age 89. Something really to look forward to. I posted about this problem on Cyrus's page (thankyou Cyrus!!) : its like chess dessert seeing the variations that lead to the cherry in the cake at the end. And: The zugzwang of the queen, actually trapped and sealed and then spring to life in a swansong leading to a good stalemate try. What is a good puzzle without a stalemate try? and the A and B pawn race variation foreshadow the grande finale.
Maybe I am being a bit verbose but I think that is needed here to explain what I am feeling.Last edited by Hans Jung; Thursday, 4th April, 2024, 02:40 PM.Comment
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I have been reading on the internet about various different problem themes and also readers have been sending me problem composing material. To my astonishment I have discovered there are hundreds of different problem themes and a whole new chess world has been opened up to me. For example I recently discovered the Durbar theme - the full Durbar involves only moves by kings! I am trying my hand at composing in some of these themes and so far it has not been going well but I think I will eventually get the hang of it. https://helpman.komtera.lt/themes.htmlComment
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I have just started coaching a ten yr old player who sees possibilities on the chess board very well. At our last session he had been longing to play me and we had a couple of games. In the second one he ended up beating me brilliantly and as a result composed his first problem with this win. The finish, checkmate in four moves, appears as a problem in post 123 of Beauty of Problems. In the position he didnt want to play the mundane Nxa1 which would have given me some counter chances in a lost position, but was focused on my king's position. He saw c6+ but after Ka6 was trying to work out trapping the king. Finally we worked out together that a4 was the supporting move that threatened the lethal b5 and then everything connected in his mind. Enjoyed his big thrill at first beating the master and also really enjoying working with a bright young mind again!Comment
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https://en.chessbase.com/post/8th-yc...hess-composers The who's who in the problem composing world - the next generation.Comment
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I received recently from a good friend and avid chesstalk reader the book: Anthology of Miniature Endgame Studies by Yochanan Afek. I must say I'm impressed. So much so that I will post on page 10 of the Beauty of Problems select problems from the chapters Knight Forks, Agile Knights (love the title!), and Compose Like an OTB (over the board) Grandmaster. The book showcases composers and brilliant problems.Comment
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https://en.chessbase.com/post/speelman-agony-216 GM Jon Speelman's problem composition adventures.Comment
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Ive been following Max Illingworth on facebook. He has got great problems to solve amongst many other improvement challenges. Great advice on how to improve and free. Also I check out Cyrus Lakdawala's posts everyday. He has Smyslov problems and also occasionally other problems. Many other posts that are hilarious and full of wit. You will be entertained.Comment
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Cyrus Lakdawala put me on to Luke Neyndorff, a prolific and terrific chess problem composer. I especially like his miniatures and he has many problems from a lifetime of composing. I did a google search and found through Neyndorff's recommendation the website: yet another chess problem database -https://www.yacpdb.org/#static/home You can type in any problem composer and find all their problems stored here. I had fun putting in Lewis Carroll, the famous author of Alice in Wonderland and he has one problem study. Also Aleister Crowley who was fairly prolific with nineteen. And now of course I have no end of problems to choose from including some amazing minitiature checkmates in two moves.Comment
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I have set up a Basic Training section in Beauty of Problems. It involves basic training in problem solving, idea recognition, and basic visualisation, as well as using your pieces better. Its all mate in two problems as well as some other need to know problems. It starts on page nine, then moves to pages 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35. 36, 37,38,39,40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59. 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100 Over one thousand problems in all.
Also the problems on posts 34, 38, 50, 51, 58, 59, 60, 62, 63, 64, 74, 81, 96, 97, 98, 101, 102, 103, 105, 106, 108, 116, 117, 118, 119, 120, 151, 152, 153, 155, 158, 161, 162, 163, 164, 165, 172, 173, 174, 178, 179, 181, 185, 187, 188, 190, 191, 193, 195, 204, 205 can be included.Last edited by Hans Jung; Yesterday, 03:49 PM.Comment
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I have also set up a section on Zugzwang in Beauty of Problems. Pages 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82,83,84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100 Over one thousand problems in all. A nice learning challenge for those who don't know zugzwang well. Tip: When looking at zugzwang situations its very helpful to look at all your opponents potential moves.Last edited by Hans Jung; Yesterday, 03:51 PM.Comment
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Luis Alberto, August 2024, White mate in three. I commented on this zugzwang problem and got a message from an experienced GM: "Where's the zugzwang?" I basically replied. The condition is zugzwang. Black's pieces are in zugzwang. The requirement is checkmate in three. If an experienced GM doesnt understand zugzwang (or gets confused) its clear that zugzwang is not easy to understand.
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